Amandine Beyer -《巴赫:無伴奏小提琴奏鳴曲與組曲全集》(J.S. Bach: Sonatas & Partitas BWV 1001-1006)[24bits 44.1KHz][FLAC]

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Amandine.Beyer.-.[J.S..Bach.Sonatas.&.Partitas.BWV.1001-1006].專輯.(Flac).rar 1.52GB
资源简介
專輯英文名: J.S. Bach: Sonatas & Partitas BWV 1001-1006
專輯中文名: 巴赫:無伴奏小提琴奏鳴曲與組曲全集
藝術家: Amandine Beyer
古典類型: 奏鳴曲
資源格式: FLAC
版本: [24bits 44.1KHz]
發行時間: 2011年10月11日
地區: 比利時
語言: 英語
簡介:

專輯介紹:
Amandine Beyer一開始是以現代小提琴演奏家的身分轉入巴洛可小提琴的範疇,現代音樂對於聲響的著意與探讨,明顯的呈現在她的詮釋風格中。這是最有趣的例子-amadine Beyer的新錄音-巴哈無伴奏。
爲什麽我們需要再一套巴哈無伴奏?她新穎的音響想像或實驗,在聽感上充滿趣味與魅力,有一部分來自相應的錄音風格,奇妙的完全不令人感到排斥。
BWV 1001-1006. Now in 2011, we have a number of excellent digital recordings at the ready, many recorded on the so-called baroque violin. Among them is this new release from the French violinist Amandine Beyer, for Zig-Zag Territories. The cover depicts a woman, looking away from us, and her body and dress are some how liquid, being dragged out in blank ink. It’s artfully done, and maybe in fact be the artist. It lists her as playing the violon, for in 2011, we don’t bother any longer with defining a performer by the age or style of their instrument.
I’ve come to know Beyer by way of her earlier recordings, such as the one by Matteis, and another by C.P.E. Bach. Watching video of her perform, I was impressed with her interpretive style and her desire to change her playing position to accommodate the habits of the composer (Matteis).
First, Beyer is playing a beautiful instrument. It’s listed as a modern copy by Pierre Jaquier from 1996. It’s got a dark character, with some of the lower notes with a lot of bloom to the sound. She plays without much notice at all of vibrato (win win for me). She plays in a very sympathetic acoustic, with enough “air” to support her instrument, but not “so live” that that we feel she’s far away from us (or her microphones). Occasionally we may hear her breathe, but otherwise, the recording is well done.
Bowing rarely has a sharp “edge” sound. A great example is the fourth movement (Allegro) of sonata BWV 1003. She’s careful enough to vary her articulation but her bow hand never digs into the strings with force. I find this pleasing, but “the softness” of attack might really stand-out for fans used to a more traditional, “romantic” era violin and bow.
Beyer plays with a range of dynamics that supports the music in interesting and affective ways. Nothing is over done, but we might not expect it to be with a baroque mindset. For many of these tracks, Beyer plays with an approach in which she seems to be enjoying the music.
As a bonus track, she offers the Pisendel Sonata a violin solo senza basso in four movements. The booklet notes mark the connection between Pisendel’s solo sonata (after the style of Bach’s?) and the inspiration for Bach of the solo violin works by Westhoff. Anton Steck has recorded the solo Pisendel, and has made it to sound quite difficult; a serious struggle. Beyer whips it off more carefully, but also in a far less-serious presentation.
Performer: Amandine Beyer
Orchestra: n/a
Conductor: Amandine Beyer
Composer: Bach, Johann Sebastian
Audio CD (October 11, 2011)
SPARS Code: DDD
Number of Discs: 2
Label: Zig-Zag Territoires
ASIN: B005H3HXQE
5.0 out of 5 stars powerfully thought through and beautifully played February 21, 2012
By Robert Speiser
Format:Audio CD
This is a special recording of challenging, fascinating music. Beyer is an emerging leader in early music practice and performance. She thinks deeply and inventively, and plays with fluency and verve. Her playing here is warm and singing rather than dry or crisp. Nonetheless, the unfolding harmony and contrapuntal interplay, especially in Bach's sonatas and partitas, emerge with gracefully articulated power. As a bonus, she includes a fascinating solo work by Pisendel that honors Bach's example without imitating. The recording, warm and resonant, is also beautifully clear.
Amandine Beyer - J.S. Bach: Sonatas & Partitas BWV 1001-1006 (2011)
FLAC (tracks) 24 bit/96 kHz | Time - 151:32 minutes | 1,59 GB
Official Digital Download - Source: Qobuz.com | Digital booklet
After The Four Seasons, the Bach violin concertos, and the sonatas of Matteis, Amandine Beyer presents her vision of the Sonatas and Partitas, one of the pillars of the repertoire, coupled with the solo sonata of Pisendel, the best-known German violinist of his generation, who met Bach at Weimar.
廠牌:Zig Zag Territoires (ZZT) / 編号:ZZT110902
爲什麽我們需要再一套巴哈無伴奏?
她新穎的音響想像或實驗,在聽感上充滿趣味與魅力,有一部分來自相應的錄音風格,奇妙的完全不令人感到排斥。
我截了1005的賦格,這段音樂已經充分說明我前文的簡評。
這張以巴哈夏康爲主題的專輯裏,收錄了amandine Beyer所演奏的另一個夏康版本。
兩個版本有相當的差異存在,或許爲了呼應Edna Stern,這個版本較爲濃郁抒情,而全集的版本則緊湊工整。
Amandine Beyer(阿曼玎.拜爾)/法國
生於1974年法國普羅旺斯省,主修木笛及小提琴,二者皆有優異的表現。15歲進入法國巴黎高等音樂學院(Conservatoire National Superieur de Paris ) 主修小提琴,20歲取得最高文憑,同年繼續深造專攻巴洛克小提琴,進入瑞士Schola Cantorum de Bâle 音樂院,師事巴洛克小提琴家Chiara Banchini。
經常與不同的樂團有不定期的合作演出,如 Mala Punica ( P. Memelsdorf) , La Fenice ( J. Tubéry) La petit Bande ( S. Kuijken) Hesperion XX ( J. Savall)等等。除了演奏之外,她也熱衷於教學,并定期受邀於義大利L'Academia Montis Regalis學院及法國Barbaste教master class。
Amandine Beyer其實也并非小家碧玉一路,相反地,她是知性、洗練、明快大方的都會女子形象,精心妝點又不露雕琢痕迹.... (STSD)
Amandine Beyer also saw her efforts rewarded a “Diapason d’Or of the Year” for her outstanding recording of the "Sonatas and Partitas BWV 1001-1006"
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